In Coralie Fargeat's new feminist terror film The Substance, harmful social beauty specifications are the true beasts. They (women objectification, the disposal of "the outdated," the expansion of a field built on physical body adjustment) nourish a beast of a pattern that leads Demi Moore's fading TV individuality character Elisabeth Dazzle to

Get your cinematic sensibilities engaged with this meticulous compilation of film reviews that highlights the array of voices in film criticism stimulating conversations and the reader to consider their personal views, and appreciate its multifaceted character of the cinematic medium.Cinematic PerspectivesJurassic DominationGodzilla King of the Mon